He’s turned virtually anything into something artistic, recycled and decorated by himself and he was more than happy to show us the different elements that connected to make his Jamaican oasis come alive. Its a mecca for tourists, locals, artsy people and if you’re there and you dont look in awe…something is seriously wrong with you!
Bounty Killa and Vybz Kartel were ‘bakkled’!
It is equivalent to saying “JESUS WEPT” in the holy grail of everything Jamaican music.
This is an extremely interesting article from my college friend whose blog I subscribe to at Connecting the World. He poses that the disconnect between African-Americans and Africa is more propaganda than anything, and in a twist of popular thought, he uses NYC native rapper Nas’ own recollection to show how motherland Africans look down on African-Americans. He suggests that the media develops a stereotypical negative lens on Africa and therefore ‘African-Americans’ know nothing out of this misdirection.
Her photos are displayed on zinc and board (both have long been staples of building houses in the ghettos of Jamaica), there’s a table set up with dominoes, graffiti on the walls, even a standpipe for water. She truly created the entire experience!
Natasha Cunningham was the first person Kevin ‘Supanova’ Salmon and I got the chance to film when we arrived at Edna Manley College of the Visual and Performing Arts in Kingston. Her exhibition featured prints of some of her designs and a large mannequin dressed in a paper and tulle dress (she talks about it below)! Every girly girl would want to be in these clothes, trus mi.
By the summer of 1968 Rodney’s “groundings with the working poor of Jamaica had begun to attract the attention of the government. So, when he attended a Black Writers’ Conference in Montreal, Canada, in October 1968, the Hugh Shearer-led Jamaican Labor Party Government banned him from re-entering the country. This action sparked widespread riots and revolts in Kingston